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The Allman Brothers Band - At Fillmore East Deluxe (TLSCU Expanded Edition)
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Artist...............: The Allman Brothers Band
Album................: At Fillmore East Deluxe (TLSCU Expanded Edition)
Genre................: Southern Rock
Source...............: CD
Year.................: 2019
Ripper...............: EAC (Secure mode) / Foobar2000 & Lite-On DVD/CD
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 108 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: This album is a compilation of my favorite tracks
from all the Fillmore East related recordings which
includes the entire Fillmore East Deluxe album, and
cuts from The Fillmore Concerts,The Last Fillmore
Show from Eat A Peach Deluxe Disc 2 and Fillmore
East 1970. Wrapped it all up with Little Martha from the
Dreams Boxed Set, since as everyone who has ever
been to an ABB concert knows that's what they heard
on their way out of the concert.
Enjoy!
Notes................. To fit onto 2 cds, remove tracks 111 and 200 B4 burning
Ripped by............: LSM on 10/10/2019
Posted by............: LSM on 10/16/2019
Included.............: NFO, M3U
Covers...............: Front Back CD Booklet extras
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Tracklisting
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1. The Allman Brothers Band - Statesboro Blues [04:16]
2. The Allman Brothers Band - Trouble No More [03:41]
3. The Allman Brothers Band - Don't Keep Me Wonderin' [03:22]
4. The Allman Brothers Band - Done Somebody Wrong [04:30]
5. The Allman Brothers Band - Stormy Monday (with deleted
harmonica solo from Fillmore
Concerts version) [10:24]
6. The Allman Brothers Band - One Way Out [04:53]
7. The Allman Brothers Band - Hot 'Lanta (from Fillmore
Concerts version) [05:32]
8. The Allman Brothers Band - In Memory of Elizabeth Reed [13:01]
9. The Allman Brothers Band - You Don't Love Me [19:08]
10. The Allman Brothers Band - Midnight Rider [02:54]
11. The Allman Brothers Band - Outskirts Of Town (Fillmore
East February 1970 Bear's
Sonic Journals remaster) [08:15]
12. The Allman Brothers Band - Hoochie Coochie Man (Fillmore
East February 1970 Bear's
Sonic Journals remaster) [05:02]
13. The Allman Brothers Band - Intro by Bill Graham (Last
Fillmore show, Eat A Peach
Deluxe, Disc 2) [00:29]
14. The Allman Brothers Band - Statesboro Blues (Last
Fillmore show, Eat A Peach
Deluxe, Disc 2) [04:30]
15. The Allman Brothers Band - Don't Keep Me Wondering (Last
Fillmore show, Eat A Peach
Deluxe, Disc 2) [03:45]
16. The Allman Brothers Band - Hot 'Lanta [05:20]
17. The Allman Brothers Band - Whipping Post [22:53]
18. The Allman Brothers Band - Mountain Jam [33:28]
19. The Allman Brothers Band - Drunken Hearted Boy [07:32]
20. The Allman Brothers Band - Little Martha (from Dreams
4CD Set with Berry Oakley
on bass) [02:13]
Playing Time.........: 02:45:18
Total Size...........: 1378.14 MB
NFO generated on.....: 10/16/2019 12:59:17 PM
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The Allman Brothers Band
The Fillmore Recordings:
At Fillmore East
Released July 1971
Recorded March 12, 1971–March 13, 1971 Fillmore East, New York
Genre
Blues-Rock, Southern Rock
Length 76:26
Label - Capricorn
Producer - Tom Dowd
At Fillmore East is a double live album by The Allman Brothers Band. The
band's breakthrough success, At Fillmore East was released in July 1971. It
ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All
Time[1] and remains among the top-selling albums in the band’s catalogue.
The original album was released in both conventional two-channel stereo and
four-channel quadraphonic mixes. This album has been certified as platinum
by the RIAA as of August 25, 1992.[2]
Contents
• 1 History
• 2 Album cover
• 3 Critical reception
• 4 Track listing
o 4.1 At Fillmore East
? 4.1.1 Side one
? 4.1.2 Side two
? 4.1.3 Side three
? 4.1.4 Side four
o 4.2 At Fillmore East - UK Vinyl LP - Atlantic Records
? 4.2.1 Side one
? 4.2.2 Side two
? 4.2.3 Side three
? 4.2.4 Side four
o 4.3 The Fillmore Concerts
? 4.3.1 Disc one
? 4.3.2 Disc two
o 4.4 At Fillmore East Deluxe Edition
? 4.4.1 Disc one
? 4.4.2 Disc two
• 5 Additional Fillmore East recordings
• 6 Credits
o 6.1 Special guests
o 6.2 Special guests (The Fillmore Concerts)
o 6.3 Production (At Fillmore East)
o 6.4 Production (The Fillmore Concerts)
• 7 References
• 8 External links
History
Recorded at the Fillmore East concert hall, the storied rock venue in New York
City, on Friday and Saturday March 12, 1971–March 13, 1971, the album
showcased the band's mixture of blues, southern rock, and jazz. The cover
of Blind Willie McTell's "Statesboro Blues" which opens the set showcases
Duane Allman's slide guitar work in open E Tuning. "Whipping Post" became
the standard for a long, epic jam that never lost interest (opening in 11/4
time, unusual territory for a rock band), while the ethereal-to-furious "In
Memory of Elizabeth Reed", with its harmonized melody, Latin feel, and
burning drive invited comparisons with John Coltrane (especially Duane's
solo-ending pull-offs, a direct nod to the jazz saxophonist).
The album was produced by Tom Dowd, who condensed the running time of
various songs, occasionally even merging two performances into one track.
For example, the first seven minutes of "You Don't Love Me" is from the first
show on March 12 and the rest (starting at Duane's solo without the band) is
from the second show on March 13. At Fillmore East peaked at No. 13 on
Billboard's Pop Albums chart.
The album was also specially remixed for four-channel quadraphonic sound.
In the four-channel mix Duane Allman is heard in the left rear channel, Dickey
Betts in the right rear channel, Jai Johanny Johanson in the front left
channel, Butch Trucks in the right front channel, and Gregg Allman and Berry
Oakley both centered in the front channels. The four-channel version uses
some different edits and performances of the songs taken from the same
concerts. Some of these alternate versions appeared in the 1989 compilation
Dreams, although in that release the four-channel recordings have been
reduced to two-channels. In 1998 the entire four-channel edition was
reissued on CD as a 4.0 (not 5.1) surround sound DTS disc.
Two other songs recorded during the same set of shows, "Trouble No More"
and the memorable "Mountain Jam", were later released on Eat a Peach, the
latter spanning two sides of the double album, together with a cover of the
Elmore James boogie classic "One Way Out" from a different performance at
the same venue, on June 27, 1971. The deluxe edition of Eat a Peach
includes this performance in its entirety on the second disc.
Those songs were later included in their entirety, along with uncut versions of
some, re-edited versions of others, and some previously omitted tracks, on a
new release of the Fillmore material entitled The Fillmore Concerts (1992).
"Stormy Monday" gained back a harmonica solo; "Don't Keep Me Wonderin'"
and "Drunken Hearted Boy" were included as well.
The year 2003 saw the release of a two-disc edition entitled At Fillmore East
Deluxe Edition. It compiled all the released versions of the Fillmore material,
some material from the collection Duane Allman: An Anthology and the
Dreams box set, and remixed the material with a better soundstage than the
1992 release. In 2004 the album was released on SACD, with stereo and
surround sound versions.
In 2003 the TV network VH1 named At Fillmore East the 59th greatest album
of all time. That same year, it was also ranked No. 49 by Rolling Stone on
their list of the 500 Greatest Albums of All Time. It was one of 50 recordings
chosen in 2004 by the Library of Congress to be added to the National
Recording Registry. The song "Whipping Post" is part of the The Rock and
Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list.[3]
Album cover
None of the pictures of the band for the cover were actually taken at the
Fillmore East. The photographer Jim Marshall took the cover shot near the
band's headquarters in Macon, Georgia, where the band had relocated from
Florida to be near manager Phil Walden's new Capricorn Studios.[4]
Normally the band hated being photographed; the cover of The Fillmore
Concerts shows them displaying terminal boredom. However, during the
session, Duane spotted a dealer friend, raced over and grabbed a bag of
contraband, then returned to his seat, discreetly clutching the stash in his
lap. This cracked up all the members, resulting in a memorable image.[5]
The back cover shows their road crew gathered in the same spot with 0.47 lt
(16 oz.) cans of Pabst Blue Ribbon beer provided by the photographer as a
reward to the roadies for lugging out and stacking the band's heavy
equipment for the photo shoot. Their expressions certainly seem to signify
their displeasure at having to stack cases for a photo shoot.[6]
At Fillmore East was well received by music critics upon its release.[11]
George Kimball of Rolling Stone gave it a rave review and stated, "The Allman
Brothers had many fine moments at the Fillmores, and this live double album
(recorded March 12th and 13th of this year) must surely epitomize all of
them."[9] Kimball cited the band as "the best damn rock and roll band this
country has produced in the past five years" and said of comparisons to the
Grateful Dead at the time, "The range of their material and the more tenuous
fact that they also use two drummers have led to what I suppose are
inevitable comparisons to the Dead in its better days."[9] In his consumer
guide for The Village Voice, critic Robert Christgau gave At Fillmore East a B–
rating,[8] indicating "a competent or mildly interesting record that will usually
feature at least three worthwhile cuts."[12] Christgau wrote that the songs
"sure do boogie", although he ultimately found it musically aimless, stating
"even if Duane Allman plus Dickey Betts does equal Jerry Garcia, the Dead
know roads are for getting somewhere. That is, Garcia (not to bring in John
Coltrane) always takes you someplace unexpected on a long solo. I guess
the appeal here is the inevitability of it all."[8]
In a retrospective review, Allmusic editor Stephen Thomas Erlewine gave the
album five out of five stars and stated, "[it] remains the pinnacle of the
Allmans and Southern rock at its most elastic, bluesy, and jazzy".[7] Mark
Kemp of Rolling Stone commented that "these shows — recorded in New York
on March 12th and 13th, 1971 — remain the finest live rock performance
ever committed to vinyl", and the album "captures America's best blues-rock
band at its peak".[10]
Track listing
At Fillmore East
Side one
1. "Statesboro Blues" (Will McTell) – 4:17
2. "Done Somebody Wrong" (Clarence L. Lewis, Bobby Robinson,
Elmore James) – 4:33
3. "Stormy Monday" (T. Bone Walker) – 8:44
Side two
1. "You Don't Love Me" (Willie Cobbs) – 19:15 ("Joy to the World"
medley in the ending portions)
Side three
1. "Hot 'Lanta" (Gregg Allman, Duane Allman, Dickey Betts, Butch
Trucks, Berry Oakley, Jai Johanny Johanson) – 5:17
2. "In Memory of Elizabeth Reed" (Dickey Betts) – 13:04
Side four
1. "Whipping Post" (Gregg Allman) – 23:03
At Fillmore East - UK Vinyl LP - Atlantic Records
Side one
1. "Statesboro Blues" (Will McTell) – 4:08
2. "Done Somebody Wrong" (Clarence L. Lewis, Bobby Robinson,
Elmore James) – 4:05
3. "Stormy Monday" (T. Bone Walker) – 8:31
Side two
1. "Whipping Post" (Gregg Allman) – 22:40
Side three
1. "You Don't Love Me" (Willie Cobbs) – 19:06 ("Joy to the World"
medley in the ending portions)
Side four
1. "Hot 'Lanta" (Gregg Allman, Duane Allman, Dickey Betts, Butch
Trucks, Berry Oakley, Jai Johanny Johanson) – 5:10
2. "In Memory of Elizabeth Reed" (Dickey Betts) – 12:46
The track listing on the rear of the gatefold sleeve is different however and is
the same as the American release (see above) although the track times are
correct and match the vinyl.
The Fillmore Concerts
Disc one
1. "Statesboro Blues" (Willie McTell) (March 12 second show) – 4:15
2. "Trouble No More" (McKinley Morganfield) (March 12 second show) – 3:46
3. "Don't Keep Me Wonderin'" (G. Allman) (March 13 first show) – 3:20
4. "In Memory of Elizabeth Reed" (Betts) (March 13 first show/March
13 second show) – 12:59
5. "One Way Out" (Marshall Sehorn, Sonny Boy Williamson, James)
(June 27) – 4:55
6. "Done Somebody Wrong" (Lewis, Robinson, James) (March 13
second show) – 4:11
7. "Stormy Monday" (Walker) (March 13 second show) – 10:19
8. "You Don't Love Me" (Cobbs) (March 13 first show/March 12 second
show) – 19:24
Disc two
1. "Hot 'Lanta" (D. Allman, G. Allman, Betts, Oakley, Johanson,
Trucks) (March 12 second show) – 5:11
2. "Whipping Post" (G. Allman) (March 13 second show) – 22:37
3. "Mountain Jam" (Donovan Leitch, D. Allman, G. Allman, Betts,
Oakley, Johanson, Trucks) (March 13 second
show) – 33:41
4. "Drunken Hearted Boy" (Elvin Bishop) (March 13 second show) – 7:33
At Fillmore East Deluxe Edition
Disc one
1. "Statesboro Blues" (McTell) – 4:17
2. "Trouble No More" (Morganfield) – 3:43
3. "Don't Keep Me Wonderin'" (G. Allman) – 3:27
4. "Done Somebody Wrong" (Lewis, Robinson, James) – 4:33
5. "Stormy Monday" (Walker) – 8:48
6. "One Way Out" (Sehorn, Williamson, James) – 4:56
7. "In Memory of Elizabeth Reed" (Betts) – 13:04
8. "You Don't Love Me" (Cobbs) – 19:24
9. "Midnight Rider" (G. Allman, R. Payne) (June 27) – 2:55
Disc two
1. "Hot 'Lanta" (D. Allman, G. Allman, Betts, Oakley, Johanson,
Trucks) – 5:20
2. "Whipping Post" (G. Allman) – 22:53
3. "Mountain Jam" (Leitch, D. Allman, G.Allman, Betts, Oakley,
Johanson, Trucks) – 33:41
4. "Drunken Hearted Boy" (Bishop) – 6:54
Additional Fillmore East recordings
• Eat a Peach - contains "Trouble No More" and "Mountain Jam" from
March 1971 and "One Way Out" from June 27, 1971
• Duane Allman: An Anthology contains "Don't Keep Me Wonderin'"
from March 1971
• Duane Allman Anthology, Vol. 2 contains "Midnight Rider" from June 27, 1971
• Dreams contains "Drunken Hearted Boy" from March 13, 1971
• Eat a Peach, Deluxe Edition - second CD (the final Fillmore East
concert) also contains "Statesboro Blues",
"Don't Keep Me Wonderin'", "Done Somebody Wrong", "One Way Out",
"In Memory of Elizabeth Reed", "Midnight Rider", "Hot 'Lanta",
"Whipping Post", and "You Don't Love Me" from June 27, 1971
Credits
• Duane Allman – lead guitar, slide guitar
• Gregg Allman – organ, piano, Vocals
• Dickey Betts – lead guitar
• Berry Oakley – bass guitar
• Jai Johanny Johanson – drums, congas, timbales
• Butch Trucks – drums, tympani
Special guests
• Thom Doucette – Harmonica on "Don't Keep Me Wonderin'", "Done
Somebody Wrong", "Stormy Monday" and "You Don't Love Me"
• Jim Santi - Tambourine
Special guests (The Fillmore Concerts)
• Bobby Caldwell – Percussion on "Drunken Hearted Boy"
• Elvin Bishop – Vocals on "Drunken Hearted Boy"
• Steve Miller – Piano on "Drunken Hearted Boy"
Production (At Fillmore East)
• Tom Dowd – Producer, Liner Notes
• Aaron Baron – Engineer
• Larry Dahlstrom – Engineer
• Dennis M. Drake – Mastering
• Jim Marshall – Photography
Production (The Fillmore Concerts)
• Tom Dowd – Producer
• Jay Mark – Mixer
• Dan Kincaid – Digital Mastering
• Bill Levenson – Executive Producer
• Kirk West – Associate Producer
• Terri Tierney – Project Coordination
• Richard Bauer – Art Direction
• Jim Marshall – Graphic Concept
• Jimmy Guterman – Liner Notes
• John Perkins - Best Boy
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