Amicus Horror Movie Collection Extras.avi

seeders: 0
leechers: 0
updated:
Added by TIM47 in Movies > Divx/Xvid

Download Fast Safe Anonymous
movies, software, shows...
  • Downloads: 72
  • Language: English

Files

Description







Amicus Horror Anthologies Extra's Collection










Greetings Amicus fans! Collected here are the movie extra's.
A torrent is up on site for the movies already.
But I have included it in the file download.
1. Dr. Terror's House of Horrors (1965)
2. Torture Garden (1967)
3. The House That Dripped Blood (1971)
4. Asylum (1972)
5. Tales from the Crypt (1972)
6. The Vault of Horror [Uncut] (1973)
7. From Beyond The Grave (1973)
8. The Monster Club (1980)






#1 DR. TERROR'S HOUSE OF HORRORS (1965)


Suspense that claws at every fibre of the body and soul!



Note:

This is ripped from the R2 Anchor Bay DVD, which presents the film under its German title "Die Todeskarten des Dr Schreck", (it has a fully English soundtrack), as it was the best quality print of the movie available. Owing to the unavailability of a better print, the final few seconds (a long shot where Schreck turns and the others follow) are missing and the closing credits are sourced from a VHS print.


The Blurb:

The first of Amicus' portmanteau horror films, Dr. Terror's House of Horrors set the mould for a series of omnibus-style movies that the company would become famous for, following in the footsteps of Ealing's Dead of Night. Formed in the early 1960's by American producers Milton Subotsky and Max J. Rosenberg as a response to various tax concessions which encouraged an upsurge in British movie-making, independent studio Amicus hit the ground running with this breezy horror omnibus, directed by famed cinematographer Freddie Francis, in which several heavyweight genre stalwarts (including Peter Cushing, Christopher Lee, Michael Gough and a very young Donald Sutherland) and a couple of notable UK media celebrities (entertainer Roy Castle, DJ Alan Freeman) meet grisly fates at the hands of various supernatural entities.

Five seemingly ordinary travellers board a train, strangers to each other, drawn into conversation by a mysterious, sinister sixth companion (Cushing) who carries with him a deck of Tarot cards, his “House of Horrors”, he explains. Each traveller taps the cards three times and their fortunes are told:

“Werewolf” - the first story sees Neil McCallum as an architect renovating a house his family once lived in for generations. The house boasts a legend of a werewolf. Soon after, a series of attacks start happening. Has the werewolf come back? This story provides a good start to the movie and is much less restrained than some of the others. The ending is a superb shocker that still works on repeat viewings.

“Creeping Vine” - the second story sees Alan Freeman returning home from a holiday with his wife (Ann Bell) and their daughter. Freeman notices vines have started springing up in his garden and tries to cut them down, but the vines not only prove resistant to the treatment but downright hostile...

“Voodoo” - the third story has a superb mix of humour, dark atmosphere and shock. Roy Castle is a musician who goes to the West Indies with his band. Whilst there, he witnesses a voodoo tribe playing an ancient ritual tune. Despite consistent warnings, Castle decides to write and perform his own variation of the tune. However, the voodoo god comes back for his music!

“Disembodied Hand” - the fourth story, and easily the best, sees Christopher Lee at his best as an art critic who constantly bashes the paintings he sees. One of the artists receiving criticism from Lee, Michael Gough, decides to make him look foolish by bringing along a painting done by a monkey! Lee likes the painting but quickly walks out with embarrassment when he sees the artist. Gough really rubs his face in it everywhere he goes. Lee decides to get revenge by running him down with his car. Gough loses his hand in the accident. The hand soon comes after Lee. The ending is suitably ironic. Christopher Lee and Michael Gough play off against each superbly here and make this story compelling viewing.

“Vampire” - the final story sees Donald Sutherland as a young doctor who returns from his honeymoon. Unbeknownst to him, his wife, played by Jennifer Jayne, is a vampire. Sutherland's colleague, played by Max Adrian, knows about vampires and advises him on what to do, though as ever the tale has a sting at the end.


Extras:

Audio commentary by Director Freddie Francis
Audio commentary by Alan Bryce, publisher of “The Dark Side” magazine and author of a book on Amicus.
Trailer (note: this wasn't included on either of the DVD editions of this movie I have, so it's not great quality and is in .flv format, but thought I'd add it for the sake of being thorough – also included is a small interview with Edgar Wright (director of Shaun of the Dead commenting on his love for the movie).
Stills gallery
Hi-res original posters from wrongsideoftheart.com







#2 TORTURE GARDEN (1967)


Do You Dare See What Dr. Diabolo Sees?



The Blurb:

Five people visit a fairground sideshow run by the sinister carnival barker Dr. Diabolo (marvellously played with deranged, fiendish relish by Burgess Meredith). Having shown them a handful of haunted-house-style attractions, he promises them a genuinely scary experience if they will pay extra. Their curiosity gets the better of them, and the small crowd follows him behind a curtain, where they each view their fate through the shears of the female deity Atropos (Clytie Jessop). What unfolds are four brief glimpses into the macabre and the bizarre...

"Enoch" – The first and most outrageous tale is shows us the fate of a perfectly hateful, greedy playboy who takes advantage of his sick, crippled uncle (Maurice Denham), and ultimately falls foul of a ferocious feline who has a gift for manipulation and a taste for human flesh.

"Terror Over Hollywood" - the second and most ironic yarn presents us with the exploits of a ruthless, aspiring young starlet (the excellent Beverly Adams) who discovers just how far Tinseltown's golden boys and girls are willing to go to remain forever young, and that longevity has a price.

"Mr. Steinway" – the third and perhaps least effective vignette, showcases a prominent pianist whose grand piano (named Euterpe) is possessed by a malevolent spirit and becomes jealous of the pianist's new girlfriend, resulting in a contest for his affections. Think Christine with a piano forte instead of a Plymouth Fury. While this segment does boast a fine performance by John Standing as the pianist, it's a little too tongue in cheek for its own good.

"The Man Who Collected Poe" – the final slice of terror comes courtesy of a die-hard Edgar Allen Poe fan, Ronald Wyatt (played shiningly by Jack Palance), who discovers after killing a haughty rival Poe aficionado, Lancelot Canning (an outstanding portrayal by the always impeccable Peter Cushing) that he may have finally acquired the ultimate piece for his collection, but it may be far more than he bargained for.

Adroitly directed by Freddie Francis, with a few effectively spooky moments (the final episode is particularly atmospheric), uniformly fine acting from the whole cast, and a very clever script by noted horror writer Robert Bloch (adapting his own short stories), this solid outing rates as an immensely enjoyable horror anthology romp.


Extras:

Sadly the disc was barebones, but I've managed to find from another source the original trailer. The quality's not great, but it's there, as are few high-res posters courtesy of www.wrongsideoftheart.com







#3 THE HOUSE THAT DRIPPED BLOOD (1971)


Vampires! Voodoo! Vixens! Victims!



The Blurb:

Shortly after buying an old country house, film star Paul Henderson (Jon Pertwee – yes, the third Doctor himself) mysteriously disappears. Inspector Holloway is sent by Scotland Yard is sent to investigate the disappearance, and in the process he hears four macabre tales surrounding the house itself...

"Method For Murder" - tells the story of a horror storywriter Denholm Elliot), who begins to suspect that either he's going insane or that his creation, a strangler named "Dominic", is coming to life to commit heinous act... . What this tale lacks in originality makes up for its lack of originality it makes up in suspense and through the atmosphere it creates, as well as it's genuinely surprising and well-done final twist.

"Waxworks" - follows the story of Philip Grayson (Peter Cushing), a man who one day discovers a macabre wax museum and decides to venture in. Inside, he discovers a waxwork figure of a woman who seems familiar to him, and when both he and his friend (Joss Ackland) become fixated with the figure the consequences become deadly.

“Sweets to the Sweet” - explores the relationship between a widower (Christopher Lee) and his young daughter (Chloe Franks). When a nanny enters the house she finds them a strange pair - the father seems cruel and overprotective, deliberately keeping the girl isolated, without even the comfort of her toys, and the girl is timid, secretive and has an overwhelming fear of fire. Throughout the segment small and subtle clues are released about the truth behind the family, but it is not until the immensely horrific final scene that everything slots neatly into place. This is the best example of how Duffell used dramatic tension and suspense to create the foreboding atmosphere that made the entire film great. Accompanied by a wonderfully arranged soundtrack, “Sweets to the Sweet” is an exercise in sustained fear that grabs the viewer by the throat and refuses to let go.

“The Cloak” - wraps up the foursome nicely with the story surrounding the missing performer that the investigator was originally interested in. The star, Pertwee, had been working on a low-budget vampire film, and upon finding a strange shop of curios decides to buy a cloak he spots to wear instead of the cheap one provided by the costume department. He finds that the cloak has a strange effect on him, and so does his co-star (Ingrid Pitt). Easily the jokiest of the four stories, it's a great way to end the film and even manages to work in plenty of in-jokes at the expense of the likes of Amicus and Hammer studios (watch out for the line comparing Lee's Dracula to Lugosi's).

Extras:

- Audio commentary with Director Peter Duffel & Jonathan Rigby, author of “English Gothic”.
- The Making of The House That Dripped Blood (17 mins. Approx.)
- Trailer
- Interview with Producer and co-founder of Amicus Productions, Max Rosenberg. (8 mins approx.)







#4 ASYLUM (1972)


You Have Nothing To Lose But Your Mind



The Blurb:

Roy Ward Baker directs this horror anthology from the pen of macabre master Robert Bloch (author of Psycho). Dr Martin (Robert Powell) arrives at a secluded asylum "for the incurably insane" to be interviewed for a job by the wheelchair-bound and authoritarian Dr Lionel Rutherford (Patrick Magee). Rutherford explains that he owes his current incapacitation to an attack by an inmate. Rutherford reveals his unorthodox plan to determine Martin's suitability for the post of head Doctor. One of the asylum's current inmates is Dr B. Starr, the former head doctor who underwent a complete mental breakdown. Martin is to interview the inmates of the asylum to deduce which one is Dr Starr. If his choice is correct Rutherford will "consider" him for the post. The attendant Max Reynolds admits Martin through the security door to the inmates' solitary confinement cells where he interviews each in turn, hearing four strange tales – but are they nightmarish delusions or terrifyingly real?

“Frozen Fear” - a deliciously campy story about a man whose murdered wife seeks revenge on him and his lover. This particular segment may be a little too silly for some horror fans, but it works as a perfect mood setter for the rest of the movie. The directorial style is what makes this segment worth watching. There are some wonderfully flowing shots which seek to give the short segment a distinctly unsettling edge despite the short falls of the script and story. A wonderful performance from Barbara Parkins (Valley of the Dolls) in the role of Bonnie caps the segment exquisitely and the climatic scene back in the asylum following the story give the segment an overall horrific nature.

“The Weird Tailor” - which stars Peter Cushing as a devastated father who turns to the occult to resurrect his deceased son. He enlists the help of Bruno (Barry Morse), a tailor desperately in need of money, to make for him a suit to specific instructions. This segment is possibly the weakest of the four yet remains enthralling as the viewer cannot help but wonder just where this particular story is headed. Once again Roy Ward Baker’s direction during this segment is powerful as he creates a dark and despairing atmosphere despite the limitations of time and the story. Cushing’s performance is certainly memorable as is Barry Morse’s.

“Lucy Comes to Stay” - a young girl (Charlotte Rampling) returns from a stay in an asylum, allegedly cured of her mental illness, and goes to live with her brother. Her bored, frustrated existence is relieved when her mischievous friend Lucy (Britt Ekland) comes to stay, and chaos ensues. This particular segment works more on the basis of the storyline rather than direction as there is little in the way of atmospheric build-up. Britt’s on-screen presence is commanding and powerful. The shock scenes are blended into the story seamlessly with a superb accompanying soundtrack.

“Mannikins of Horror” - The fourth and final story is takes place wholly back in the asylum and unlike the previous three stories there are no flashbacks to past events – yes, it actually takes place in the wraparound story, which is fairly unique. This segment is possibly the most original of the stories, with Herbert Lom starring as a former doctor believes that he can make and control little bloodthirsty dolls, a fun little slant on the usual “voodoo” and could even be possible influence for ‘Child’s Play’ (1988), which manages in its own way to bring appropriate closure to another entertaining omnibus of horror.

Extras:

Audio commentary track with the film's director, Roy Ward Baker.
“Inside the Fear Factory” - documentary looking at Amicus and Asylum (20 mins approx).
Trailer for Asylum
Trailers for two more Amicus films – The Beast Must Die! and Now The Screaming Starts






#5 TALES FROM THE CRYPT (1972)


Who's next? Perhaps...YOU!?



The Blurb:

My personal favourite of these anthologies, it begins with a quintet of strangers who take a wrong turn during a tour of some ancient catacombs. There, amidst the shadows and stones they meet the Crypt Keeper (Ralph Richardson) who offers to show them visions of how each of them will meet their ends.

“...And All Through The House” - a husband comes home one Christmas Eve filled with festive cheer. It's a slice of snow-covered seasonal suburban idyll. He relaxes by a crackling fire, happy with the gifts he's just placed under the tree for his darling wife and beautiful daughter who is sleeping upstairs...and that is how he dies, his head brutally caved in by a poker courtesy of his scheming wife (Joan Collins), who's plan is to cash in on his large insurance policy. But it's Christmas, and Santa doesn't deliver to naughty girls...indeed, his business tonight might be more along the lines of “slaying” than "sleighing"...HO HO HO...

“Reflection of Death” - a philandering husband (Ian Hendry) is planning to just up and leave his wife and child for his beautiful young lover (Angela Grant). As they drive off to start their life together, however, the journey takes a macabre turn for the worse.

“Poetic Justice” - a rich young snob (Robin Phillips) takes offence at the presence of his elderly neighbour Arthur Grimsdyke (Peter Cushing, whose performance here is incredibly touching as the gentle old man), just because he is poor and loves children. He begins a campaign of mean, cruel tricks designed to torment Grimsdyke, which ends unexpectedly. But you know what they say about Karma, and how that kind of heartless behaviour will come back to haunt you...

“Wish You Were Here” - a take on the famed “Monkey's Paw” story, businessman Ralph Jason (Richard Greene) is on the verge of financial ruin when his wife Enid (Barbara Murray) discovers a mystical Chinese figurine in an antique shop, with an inscription which says it can grant them their wishes. Needless to say, the old adage “be careful what you wish for, you might just get it” proves true as the consequences are indeed horrifying.

“Blind Alleys” - Major William Rogers (Nigel Patrick), becomes the director for a Home for the Blind. He proves himself a greedy, callous soul, siphoning the Home's funds to satisfy his own tastes and line his pockets while the occupants suffer the pinch of his financial cutbacks. But they won't take it lying down, and along with their leader (Patrick Magee) they formulate a plan to exact a fitting revenge upon their tormentor.

Based on stories featured in E.C.'s famed horror comics of the 50's (“Tales from the Crypt”, naturally, but also “Vault of Horror” and “The Haunt of Fear”) each yarn has that wonderfully delicious tone where a fitting justice is meted out in gruesome yet ironic fashion. Ably directed by Freddie Francis, with a compact script by Milton Subotsky, crisp cinematography by Norman Warwick, a supremely spooky score by Douglas Gamley, a constant snappy pace, and uniformly excellent acting from a stellar cast, this Amicus omnibus outing really delivers the immensely satisfying ghoulish goods.


Extras:

Sadly the disc was barebones, but I've managed to find from another source the original trailer. The quality's not great, but it's there, as are few high-res posters courtesy of www.wrongsideoftheart.com. I've also included the scans of of the issues of the various E.C. Comics from which each of the film's segments was inspired. They are:

Tales from the Crypt #23 (Apr/May, 1951 - “Reflection of Death”)
Tales from the Crypt #46 (Feb/Mar, 1955 - “Blind Alleys”)
The Haunt of Fear #12 (Mar/Apr, 1952 - “Poetic Justice”)
The Haunt of Fear #22 (Nov/Dec, 1953 - “Wish You Were Here”)
The Vault of Horror #35 (Feb/Mar, 1954 - “...And All Through The House”)







#6 THE VAULT OF HORROR (1973) [Uncut]


Below the Crypt lies Death's waiting room...The Vault of Horror!





The Blurb:

The sequel to the previous year's Tales from the Crypt and again loosely inspired by E.C.'s line of horror comics (although oddly none of the stories are drawn from “The Vault of Horror”, they're all from “Tales from the Crypt”, bar one which was from an issue of “Shock SuspenStories”), The Vault of Horror doesn't quite live up to the higher standards of Tales nor the earlier Amicus anthologies, but it is still a fun and worthy addition to the portmanteau horror genre.

Five strangers one-by-one board a descending lift in a modern office block in London. They reach the basement, though none of them appears to have pressed for that destination. There they find a plush room they think is a gentlemen’s club. The lift door has closed behind them and they can’t leave. Resigned to waiting for help, they settle down with drinks and discuss their recurring nightmares.

“Midnight Mess” - Looking for his sister, Rodgers, (Daniel Massey) arrives in a small town and finds Donna, (Anna Massey) living alone. Warned away from going out at night, he decides to venture to the only open restaurant in town. Waiting to be served, he comes across a terrible secret that is particularly shocking, and the gloriously macabre final image will linger.

“The Neat Job” - Moving in together, newlyweds Critchit, (Terry Thomas) and Eleanor, (Glynis Johns) quickly realize that his tidiness is a major source of irritation. As they spend more time together in the situation, it soon becomes even more irritable and distressful, and eventually she tries to make things right, to no avail. When it finally becomes too much to bear, she is resorted to special means to get it solved.

“This Trick'll Kill You” - Travelling to India, magician Sebastian, (Curt Jurgens) looks to find a new trick to bring into his act. He does this by observing various street performers and specialises in humiliating them by revealing the tricks behind how their magic is done. After going some time and failing to see anything special, his assistant Inez, (Dawn Adams) wants to leave, but after agreeing to another night, he happens upon a local performing a special rope trick. Wanting to know how it works, he tries to get the secret of the act, but his curiosity has a terrible price to pay.

“Bargain in Death” - After realizing he's broke, horror writer Maitland, (Michael Craig) decides to fake his own death to collect the insurance money. As it works to perfection, he awakes in his casket and is soon dug out by medical students Tom, (Robin Nedwell) and Jerry, (Geoffrey Davies) who want to bring him back to practice on. When it turns out that the cadaver isn't what they wanted, they resort to other means to get away.

“Drawn and Quartered” - Moore (Tom Baker) is an impoverished painter living on Haiti. When he learns he was cheated by members of the art establishment, he goes to a voodoo priest and his painting hand is given voodoo power such that his portraits become surrogate voodoo dolls. Returning to London, Moore paints his betrayers to exact his revenge, but will learn that the meaning of “suffering for your art”.


Extras:

Original trailer
Hi-res original posters from wrongsideoftheart.com
Scans of the E.C. Comics from which the stories were taken. They are:

Tales from the Crypt #35 (Apr/May, 1953 - “Midnight Mess”)
Shock SuspenStories #01 (Feb/Mar, 1952 - “The Neat Job”)
Tales from the Crypt #33 (Dec/Jan, 1953 - “This Trick'll Kill You!”)
Tales from the Crypt #28 (Feb/Mar, 1952 - “Bargain in Death”)
Tales from the Crypt #26 (Oct/Nov, 1951 - “Drawn and Quartered”)








#7 FROM BEYOND THE GRAVE (1973)



Terror to Delight the Worshippers of the Macabre!



The Blurb:

"You strike a hard bargain," Peter Cushing's proprietor chides a haggler in 1973's From Beyond The Grave. "But things being what they are, it's yours." In good old Amicus Anthology tradition, debuting director Kevin Connor presents a nice variety of horror stories, with a splendid ensemble cast (including eminent British names like Donald Pleasance, Peter Cushing, Ian Ogilvy, David Warner, Ian Carmichael,… ), a neat wraparound narrative and an overall pleasingly sinister atmosphere. All separate tales begin in the same location, namely an obscure and hidden antique shop manned by Peter Cushing. The customers at this shop then become the protagonists of the segments. Adapted from tales by Ronald Chetwynd-Hayes and produced by the legendary partnership of Max Rosenberg and Milton Subotsky, this not only represents a benchmark for Amicus Studios, it's a cracking little horror on its own terms.

“The Gate Crasher” - in the atypically gory opener, David Warner makes off with an antique mirror he's haggled down to one-tenth of its actual price. He is subsequently hassled by a séance-conjured demon who orders Warner to offer up blood sacrifices, enabling the demon to walk our world, and though he tries to resist the spirit may yet prove too powerfully evil for him to fight.

“An Act Of Kindness” - Ian Bannen's frustrated family man befriending street peddler Donald Pleasence and real-life daughter Angela (who, disquietingly, looks exactly like her dad). Together, they help him do away with his fishwife (a wonderfully horrible Diana Dors) through witchcraft, leading to an unexpected twist in the tale.

“The Elemental” - to all purposes, the joker in the pack but accpmblished with aplomb, sees Ian Carmichael unwittingly plagued by a "spirit of air, fire and water," until Margaret Leighton's psychic-for-hire Madam Orloff ("half price on Thursdays") utters the immortal line, "You have an elemental on your shoulder." According to Orloff, it's a "killer, a real stinker, lusting after the pleasures of the flesh and sucking up the juices of the soul like a babe at his mother's breast". Unfortunately, her exorcism doesn't quite go to plan...

“The Door” - In the final segment, Ian Ogilvy purchases an antique door which occasionally grants passage to a deadly 'Blue Room' from the seventeenth century, inhabited by a bewigged servant of the occult with designs on Lesley Anne Down. From the exuberant performances to the atmospheric photography, there's strong stuff here, overlooking that three out of the four stories rehash the same theme of inter-dimensional crossings. Leighton, especially, turns in a show-stopping comic turn as the batty Madam Orloff, and the joy from the cast is palpable; they're obviously having as much fun as the audience.


Extras:

- Original trailer
- Hi-res original posters from wrongsideoftheart.com







#8 THE MONSTER CLUB (1980)

A Tongue-in-Cheek Trilogy of Terror !


The Blurb:

Although Amicus had long since been dissolved and the company's co-founders, Milton Subotsky and Max Rosenberg had gone their separate ways, Subotsky wanted to make one last anthology picture in the Amicus style, and the result was The Monster Club. Both Christopher Lee and Peter Cushing, the old stalwarts from previous entries, were approached but either refused or were unavailable. Instead, Subotsky managed to wrangle some other familiar genre faces – Vincent Price and Keith Carradine – as well as some familiar faces from past entries, such as Brit Ekland and Donald Pleasence.

It never quite lives up to the standard of the previous portmanteau horrors under the Amicus banner, and seeming to realise it from the get-go, this trio of tales was made with tongues planted firmly in cheeks, and without fear of ladling on some cheese for good measure. All of the players involved seem to have got the measure of this and are enjoying hamming it up immensely, particularly Price and Carradine in the wraparound story which sees gentlemanly vampire Price taking Carradine, his favourite horror author, back to The Monster Club, a place for all manner of ghosts and ghoulies to party. It's like a Halloween edition of "Top of the Pops" as there are some musical interludes with a definite 80s vibe, clearly meant to appeal to the youth of the day, and the crowd dressed in cheap, hilariously poor monster costumes. You'll also be treated to a monster-style striptease, which is bound to raise a smile (if nothing else). All this happens as Price and Carradine look on, Price explaining the goings on of this monstrous underbelly of society to his guest, leading into the tales proper. The tales themselves are tame, but fun.

First up is "Shadmock", a dark story of star-cross'd love. A young couple, George and Angela, are hard up for cash, so they answer an advertisement in a newspaper looking for someone to help catalogue antiques in an old manor. Angela goes and meets the owner and soon becomes friendly with her soft spoken and thoughtful employer, but comes under increasing pressure form George to steal something from the house, and she decides to take advantage of an invitation to a masquerade ball...

The second story is completely played for laughs, a vampire story with Pleasence and Ekland. A aampire stalks the London underground is being chased by the B-squad a team of vampire hunters lead by Pickering, (Donald Pleasance). Pleasence in particular looks like he was having a hoot (or drunk).

The last story of the trio is somewhat creepier and more reminiscent of their better anthologies, with Patrick Magee in a mist-covered lost village where all is not what it seems. Stuart Whitman plays Sam, an American movie Director scouting the English countryside for the perfect location for his upcoming movie. He stumbles across a fog bound town full of Ghouls where he befriends a Humghoul (Human and ghoul hybrid) and struggles with her help to make his escape from his living nightmare.











 






Download torrent
772.6 MB
seeders:0
leechers:0
Amicus Horror Movie Collection Extras.avi


Trackers

tracker name
UDP://TRACKER.PUBLICBT.COM:80/ANNOUNCE
µTorrent compatible trackers list

Download torrent
772.6 MB
seeders:0
leechers:0
Amicus Horror Movie Collection Extras.avi


Torrent hash: ABC0D3469993F4435199C56BC3BA30F5BEC92B49