Captain Beefheart - Sun Zoom Spark 1970 - 72 [Box Set] (2014) FLAC Beolab1700
---------------------------------------------------------------------
Captain Beefheart - Lick My Decals Off, Baby
---------------------------------------------------------------------
Artist...............: Captain Beefheart
Album................: Lick My Decals Off, Baby
Genre................: Rock
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 61 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........:
Posted by............: Beolab1700 on 22/11/2014
---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------
CD 1: Lick My Decals Off, Baby (Straight, 1970)
“Lick My Decals Off, Baby”
“Doctor Dark”
“I Love You, You Big Dummy”
“Peon”
“Bellerin’ Plain”
“Woe-Is-uh-Me-Bop”
“Japan in a Dishpan”
“I Wanna Find a Woman That’ll Hold My Big Toe Till I Have To Go”
“Petrified Forest”
“One Red Rose That I Mean”
“The Buggy Boogie Woogie”
“The Smithsonian Institute Blues (or the Big Dig)”
“Space-Age Couple”
“The Clouds Are Full of Wine (not Whiskey or Rye)”
“Flash Gordon’s Ape”
CD 2: The Spotlight Kid (Reprise, 1972)
“I’m Gonna Booglarize You Baby”
“White Jam”
“Blabber ‘n Smoke”
“When It Blows Its Stacks”
“Alice in Blunderland”
“The Spotlight Kid”
“Click Clack”
“Grow Fins”
“There Ain’t No Santa Claus on the Evenin’ Stage”
“Glider”
CD 3: Clear Spot (Reprise, 1972)
“Low Yo Yo Stuff”
“Nowadays a Woman’s Gotta Hit a Man”
“Too Much Time”
“Circumstances”
“My Head Is My Only House Unless It Rains”
“SUN ZOOM SPARK”
“Clear Spot”
“Crazy Little Thing”
“Long Neck Bottles”
“Her Eyes Are a Blue Million Miles”
“Big Eyed Beans from Venus”
“Golden Birdies”
CD 4: Out-Takes (previously unreleased)
“Alice in Blunderland” – Alternate Version
“Harry Irene”
“I Can’t Do This Unless I Can Do This/Seam Crooked Sam”
“Pompadour Swamp/Suction Prints”
“The Witch Doctor Life” – Instrumental Take
“Two Rips in a Haystack/Kiss Me My Love”
“Best Batch Yet” – (Track) Version 1
“Your Love Brought Me To Life” – Instrumental
“Dirty Blue Gene” – Alternate Version 1
“Nowadays a Woman’s Gotta Hit a Man” – Early Mix
“Kiss Where I Kain’t”
“Circumstances” – Alternate Version 2
“Little Scratch”
“Dirty Blue Gene” – Alternate Version 3
---------------------------------------------------------------------
Finally! As of 2014, Lick My Decals Off, Baby, The Spotlight Kid, and Clear Spot had needed a proper remastering treatment for quite some time when Rhino came to the rescue, remastering all three in one fell swoop as Sun Zoom Spark: 1970 to 1972. As if that weren’t enough for fans, they added an entire bonus disc of outtakes and alternates as well. The albums themselves are fairly different from each other. Lick My Decals followed directly after Trout Mask Replica and is the closest there is to Trout Mask’s sonic assault. On the other side, Clear Spot‘s horn charts, backup singers, and Ted Templeman production were probably catchy enough for actual radio success (well, maybe in a better world). The Spotlight Kid is pitched somewhere in between. However, it’s all prime Beefheart. The band is always in sync, Don’s voice sounds great (as does his harmonica playing), and it’s all got that unique rhythmic sense. The bonus material doesn’t disappoint either. It’s all from the Clear Spot and Spotlight Kid sessions and sounds fantastic. The alternates of songs that were on the albums are interesting but not revelatory, but hearing these early versions of songs that appeared on later albums is pretty fascinating. This version of “Harry Irene” predates both the Shiny Beast version and the Bat Chain Puller version. The two takes of “Dirty Blue Gene” are quite interesting as well, not just because they’re significantly different than the version that ended up on Doc at the Radar Station but also because they’re significantly different from each other (the third take is quite a bit more aggressive, with a really cool guitar tone at the end). “Pompadour Swamp” is a great guitar instrumental that ended up as “Suction Prints.” It’s hard to believe some of these cuts were left off originally, but albums were shorter back in the day. They make this set pretty close to essential for longtime fans (as if the fantastic sound weren’t enough).
---------------------------------------------------------------------
