[ FreeCourseWeb.com ] Affect, Emotion, and Subjectivity in Early Modern Muslim Empires: New Studies in Ottoman, Safavid, and Mughal Art and Culture
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Kishwar Rizvi | 2017 | ISBN: 9004340475 | English | 240 pages | PDF | 33 MB
Series: Arts and Archaeology of the Islamic World
Artists working in the imperial ateliers of the Safavids, Mughals, and Ottomans were keenly aware of their role within the art historical canon. Genealogies were constructed of great artists (calligraphers and painters) and albums were compiled of their works. The artist displayed his mastery over pen and brush, utilizing his tools to show his knowledge of older precedents while at the same time creating that which transformed them entirely. The past, present, and future were mobilized through a mark on the page, through allusions and references, and through the materiality of the ink, paint, brush, and paper, themselves. By looking closely at the traces left by the artists, be they painters, poets, or architects, the art historian may gain insight into the cultural production of these great empires of the early modern period.
Affect, Emotion and Subjectivity in Early Modern Muslim Empires is a study of art, literature and architecture that considers the intentions and motivations of patrons and artists in the urban and cultural milieu of the Ottoman, Safavid and Mughal courts.
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