Gorillaz - Humanz (Japanese Edition) (2017)

Artist: Gorillaz
Title: Humanz (Japanese Edition)
Year Of Release: 2017
Label: Parlophone
Genre: Electronic, Hip-Hop, Pop
Quality: mp3/320
Total Time: 01:16:38
Total Size: 177 MB


Tracklist:
CD1:
01. Intro: I Switched My Robot Off
02. Ascension (feat. Vince Staples)
03. Strobelite (feat. Peven Everett)
04. Saturnz Barz (feat. Popcaan)
05. Momentz (feat. De La Soul)
06. Interlude: The Non-Conformist Oath
07. Submission (feat. Danny Brown & Kelela)
08. Charger (feat. Grace Jones)
09. Interlude: Elevator Going Up
10. Andromeda (feat. D.R.A.M.)
11. Busted and Blue
12. Interlude: Talk Radio
13. Carnival (feat. Anthony Hamilton)
14. Let Me Out (feat. Mavis Staples & Pusha T)
15. Interlude: Penthouse
16. Sex Murder Party (feat. Jamie Principle & Zebra Katz)
17. She's My Collar (feat. Kali Uchis)
18. Interlude: The Elephant
19. Halleujah Money (feat. Benjamin Clementine)
20. We Got the Power (feat. Jehnny Beth)
CD2:
21. Interlude: New World
22. The Apprentice (feat. Rag'n'Bone Man, Ray BLK, Zebra Katz)
23. Halfway To The Halfway House (feat. Peven Everett)
24. Out Of Body (feat. Imani Vonsha, Kilo Kish, Zebra Katz)
25. Ticker Tape (feat. Carly Simon, Kali Uchis)
26. Circle of Friendz (feat. Brandon Markell Holmes)

Japan Bonus Tracks:
27. Andromeda (D.R.A.M. Special)
28. Busted and Blue (Faia Younan Special)


“It’s America that made Gorillaz,” Damon Albarn said recently. The animated band’s four albums have so far sold 16m copies worldwide – more than Blur – and that’s largely thanks to America’s warm embrace. Perhaps by way of thanks, this long-awaited fifth album is about America going to hell.

The lawless, world-altering scenario ‘Humanz’ presents us with is not a poorly attended inauguration but a massive, cross-genre party, composed largely on an iPad by Albarn and illustrated by his mate Jamie Hewlett. Taking a look at the album’s futuristic floor-fillers leads to the standout ‘Momentz’, where De La Soul give hangover advice over a strict marching beat, wriggling synths and a massive, jolting mantra. Or ‘Charger’, where Grace Jones bares some sphinx-like teeth over a distorted two-note line to declare “I am the ghost / I am the soul / I’m gonna take you for a ride/ No antennas,” while Albarn’s bewildered vocals splutter out in flouncy dribs and drabs. So strange, it’s fantastic.