Artist...............: Herbie Mann
Album................: Do The BossaNova
Genre................: Jazz
Source...............: CD
Year.................: 1962
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TntVillage
Ripped by............: Leonenero on 27/09/2016
Posted by............: Leonenero on 04/10/2016
News Server..........: news.astraweb.com
News Group(s)........: TntVillage
Included.............: NFO, MD5, M3U, LOG, CUE
Covers...............: Front Back CD
---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------
1. Herbie Mann - Deve Ser Amor [04:19]
2. Herbie Mann - Menina Feia [05:31]
3. Herbie Mann - Amor Em Paz [02:37]
4. Herbie Mann - Voce E Eu [04:23]
5. Herbie Mann - One Note Samba [03:22]
6. Herbie Mann - Blues Walk [04:08]
7. Herbie Mann - Consolacao [04:27]
8. Herbie Mann - Bossa Velha [04:20]
Playing Time.........: 33:11
Total Size...........: 199,87 MB
In 1962, at the height of the bossa nova craze, flautist Herbie Mann went back to the source and connected the real thing with jazz by recording in Rio de Janeiro with some of the best local practitioners and adapting with ease to a broad spectrum of Brazilian groups. Sergio Mendes hard-swinging band is heard on tunes like Menina Feia, Batida Diferente or Blues Walk, with Mendes, Pedro Paulo and Paulo Moura impressively jazz-aware on piano, trumpet and alto respectively.
Elsewhere, Antonio Carlos Jobim is coolly intriguing, singing and scatting on his own One Note Samba. He also plays piano and provides the string settings on this and the charming, rich melodies of Amor Em Paz and Insensatez. Baden Powells distinctive guitar features in three black-influenced compositions, Nana, Deve Ser Amor, and Consolaçao, nice songs almost with a blues feeling, Mann pointed out. On Voce E Eu, Manns flute is backed by the Bossa Tres, another trio with a jazz approach led by the talented pianist Luis Carlos Vinhas. And Bossa Velhaa number Mann conceived for the occasion is a 17-piece percussion group recruited from the Escola de Samba. The results remain a delightful vindication of Manns decision.
