Chet Baker - Chet
Artist: Chet Baker
Title: Chet
Recorded in New York City; December 30, 1958 and January 19, 1959.
Label: Riverside Records
Catalog: OJC20 087-2
Released: 1987
Format: cD
Country: Germany
Genre: Jazz
Style: cool jazz, Hard Bop, Post Bop
Extractor: EAC 0.99 prebeta 4
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue Multiple wav file with Gaps (Noncompliant)
Accurately ripped (confidence 35)
Size Torrent: 201 Mb
Cover Included
Tracks
1 Alone Together 6:46
2 How High The Moon 3:31
3 It Never Entered My Mind 4:36
4 'Tis Autumn 5:12
5 If You Could See Me Now 5:11
6 September Song 3:00
7 You'd Be So Nice To Come Home To 4:38
8 Time On My Hands (You In My Arms) 4:27
9 You And The Night And The Music 3:50
10 Early Morning Mood 9:00
Personnel
Trumpet - Chet Baker
Saxophone [Baritone] - Pepper Adams
Piano - Bill Evans
Flute - Herbie Mann
Guitar - Kenny Burrell (tracks: 3, 6)
Bass - Paul Chambers (3)
Drums - "Philly" Joe Jones (tracks: 4, 8, 9) ,
Drums - Connie Kay (tracks: 1, 2, 3, 5, 6, 7, 10)
http://www.cduniverse.com/search/xx/music/pid/7412987/a/Chet.htm
http://www.youtube.com/watch?v=zdDhinO58ss
http://www.youtube.com/watch?v=aHeSBl6mEyM&feature=PlayList&p=E2989EF81DB356AF&playnext=1&playnext_from=PL&index=11
http://www.youtube.com/watch?v=Z0ymGIwdD4A
bio
Chesney Henry “Chet” Baker Jr. (December 23, 1929 in Yale, Oklahoma, died May 13, 1988 in Amsterdam, The Netherlands) was an American jazz musician.
Raised in a musical household in Oklahoma (his father was a guitar player), and coming of age in Southern California during the bebop era of jazz, Baker found success as a trumpet player in 1951 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements. In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Baker became famous on the strength of his solo on their recording of My Funny Valentine, a piece he was later said to “own”. The Quartet, however, lasted less than a year because of Mulligan's arrest on drug charges. In 1954, Baker won the Downbeat Jazz Poll, beating Miles Davis among others. Over the next few years, Baker fronted his own combo, playing trumpet and singing. He became an icon of the west coast “cool school” of jazz, helped by his good looks and singing talent. By the early 1960s, Baker had begun playing the fluegelhorn, as well.
Then, drug addiction caught up with Baker, and his promising musical career declined as a result. Heroin addiction created a myriad of legal problems for him as well; he served more than a year in prison in Italy, and was later expelled from both West Germany and England for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California where he was active in San Jose and San Francisco between short jail terms served for writing his own prescriptions.
In 1966, Baker allegedly was severely beaten while attempting to buy drugs after a gig in San Francisco, sustaining severe cuts on the lips and broken front teeth, thus ruining his embouchure. Accounts of the incident vary, largely because of his lack of reliable testimony on the matter. It has also been suggested that the story is a fabrication altogether, and that Baker's teeth had just rotted due to heavy substance abuse. From that time he had to learn to play with dentures, a difficult process for a brass player. Between 1966 and 1974, Baker mostly played flugelhorn, with its wider mouthpiece, and recorded what must be considered slick mood music. He eventually moved to New York City and began recording again in earnest with other well known jazz musicians such as Jim Hall. Later in the seventies, Baker returned to Europe where he was assisted by his friend Diane Vavra who took care of his personal needs and otherwise helped him during his recording and performance dates.
Baker recorded extensively throughout his career, mainly because of his overwhelming need for money to buy drugs. As a result, his discography is considered widely uneven. However, some of Baker's European recordings, made near the end of his career, reveal a more mature and, at times, brilliant talent with simplicity and depth beyond his previous work.
Near the end of Baker's life, he resided and played almost exclusively in Europe, returning to the USA about once a year for a few performance dates. On May 13, 1988, he fell (or was pushed) from his second story hotel window in Amsterdam and died. There was speculation that he was under the influence of drugs at the time, however his autopsy revealed that he was sober. There were also rumors that a suicide note was found but is held in private hands. A plaquette outside the Prins Hendrik Hotel memorializes him. Baker's body was brought home for interment in the Inglewood Park Cemetery in Inglewood, California.
Jeroen de Valk wrote a biography of Chet Baker, Chet Baker: His Life and Music.
The iconic side of Chet Baker was captured by the photographer William Claxton in his book Young Chet: The Young Chet Baker. A documentary film about his career, Let's Get Lost, also portrayed Chet as a cultural icon of the 1950s, but juxtaposed this with his later image as a drug abuser. The film, released in 1988 and directed by fashion photographer Bruce Weber, was shot in black-and-white, and includes a series of interviews with friends, family, associates and lovers, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2, 2005 as Chet Baker Day.
Currently in production is a 2007 to-be-released film, titled Prince of Cool, which is a new take on the life of Chet Baker the legendary trumpeter whose heroin addiction contributed to his (reported) suicide in 1988. It stars Josh Hartnett.
review
Chet Baker's 1959 (reissued in 1987) release, CHET, is a romantic yet melancholy collection of mostly ballads. Baker doesn't sing here, but his highly emotive and lyrical trumpet playing makes this album more than compelling. Most importantly, this is one of the few recording sessions where he was accompanied by the legendary pianist, Bill Evans. Evans and Baker's approaches to jazz were uniquely individual, yet they both imbued their musical vocabulary with a high degree of pathos; they also shared a great love for soft, delicate ballads.
On "Alone Together" and "If You Could See Me Now," Evans plays a subtle yet penetrating piano introduction, and Baker enters with his distinctly rich and breathy tone. Truly a great musical pair, Baker and Evans lead an all-star band in what can only be characterized as relaxed but reflective jazz. A merging of East and West Coast cool jazz styles, CHET is an album that emphasizes instrumental restraint, yet deep musical tenderness.
Chet Baker was to record only one more album after this one for the Riverside label before starting down the road to those many other labels he was to visit during the rest of his career. It is somewhat ironic that one of the major figures in West Coast jazz would record for a label that played a leading role in the propagation of East Coast jazz. This penultimate session for Riverside -- which was strictly instrumental -- produced an all-star lineup to support Baker. Jazz heavyweights included Pepper Adams, Bill Evans, and Kenny Burrell. Each of them makes important contributions to the session. Adams' baritone sax solo on "Alone Together" is one of the album's high points, while Herbie Mann and Bill Evans make their presence known on several cuts. Baker possessed one of the most melodious trumpets in jazz, compelling in its simplicity. Rarely extending his range above a single octave, he nonetheless had few peers when it came to slow, romantic ballads, which make up the playlist here. His characteristically soft approach is heard to good effect on "It Never Entered My Mind," where he works with the guitar of Kenny Burrell. Burrell and Baker also collaborate on a moving rendition of "September Song." Chet is a good album to hear Baker's special way with the horn, and is made even more attractive with the presence and contributions of top jazz artists.
