(JazzPlanet)Christian McBride e Inside Straight - Kind of Brown(Eac S Flac Cue)

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artwork
  • booklet_002.jpg (8.1 MB)
  • booklet_001.jpg (7.4 MB)
  • back_001.jpg (4.5 MB)
  • cd_001.jpg (3.1 MB)
  • back resize.jpg (261.3 KB)
  • front resize.jpg (235.6 KB)
  • cd resize.jpg (159.0 KB)
  • eric_reed_06.jpg (121.9 KB)
  • scott.jpg (112.3 KB)
  • mcbride_02.jpg (51.8 KB)
  • carl_allen.jpg (42.7 KB)
  • steve-wilson.jpg (33.0 KB)
  • warren_wolfe_02_roma2009.jpg (30.2 KB)
  • 09 - Christian McBride & Inside Straight - Stick and Move .flac (44.2 MB)
  • 02 - Christian McBride & Inside Straight - Theme for Kareem .flac (44.1 MB)
  • 06 - Christian McBride & Inside Straight - The Shade of the Cedar Tree .flac (42.0 MB)
  • 03 - Christian McBride & Inside Straight - Rainbow Wheel .flac (35.8 MB)
  • 07 - Christian McBride & Inside Straight - Pursuit of Peace .flac (33.3 MB)
  • 04 - Christian McBride & Inside Straight - Starbeam .flac (32.4 MB)
  • 05 - Christian McBride & Inside Straight - Used 'Ta Could .flac (32.3 MB)
  • 08 - Christian McBride & Inside Straight - Uncle James .flac (27.6 MB)
  • 01 - Christian McBride & Inside Straight - Brother Mister .flac (25.7 MB)
  • 10 - Christian McBride & Inside Straight - Where Are You .flac (12.7 MB)
  • info.txt (10.2 KB)
  • Christian McBride & Inside Straight - Kind of Brown.log (4.7 KB)
  • Kind of Brown.cue (2.1 KB)
  • Christian McBride & Inside Straight - Kind of Brown.m3u (1.3 KB)

Description

Christian McBride & Inside Straight - Kind of Brown









Artist: Christian McBride e Inside Straight
Title: Kind of Brown
Audio CD (June 16, 2009)
Original Release Date: June 16, 2009
Number of Discs: 1
Label: Mack Avenue
Japan version Jasrac
Genere Jazz
Styles: Straight-Ahead, Post-Bop
Source: Original CD


Extractor: EAC 0.99 prebeta 4
Used drive: HL-DT-STDVDRAM GSA-E10L
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue Multiple wav file with Gaps (Noncompliant)
Accurately ripped (confidence 13)
Size Torrent: 354 Mb
Cover Included

Tracks

1. Brother Mister
2. Theme For Kareem
3. Rainbow Wheel
4. Starbeam
5. Used 'Ta Could
6. The Shade Of The Cedar Tree
7. Pursuit Of Peace
8. Uncle James
9. Stick & Move
10. Where Are You?




Personnel

Christian McBride - bass instrument
Steve Wilson - saxophone
Carl Allen - drums
Eric Scott Reed - piano
Warren Wolf Jr. - vibraphone

preview


http://www.amazon.com/gp/recsradio/radio/B0024JQNZ6/ref=pd_krex_dp_a

http://www.youtube.com/watch#!v=XjUjJyvIcFo&feature=related

http://www.youtube.com/watch#!v=TpZramyYCOM&feature=related

http://www.youtube.com/watch#!v=TAqVGNiJZ9o&feature=related


biography


Christian McBride (born May 31, 1972, Philadelphia, Pennsylvania) is an American jazz bassist. His father, Lee Smith, and his great uncle, Howard Cooper, are well known Philadelphia bassists who served as McBride's early mentors. In the jazz community, McBride is widely considered to be one of the best bassists of his generation.

McBride has performed and recorded with a huge number of jazz legends and ensembles, including Freddie Hubbard, Joe Henderson, McCoy Tyner, Herbie Hancock, Pat Metheny, Diana Krall, Roy Haynes, Chick Corea, Wynton Marsalis, Joshua Redman, and Ray Brown's "Superbass" with John Clayton, as well as with hip-hop, pop, soul, and classical musicians like The Roots[1], Kathleen Battle, Carly Simon, Sting, Bruce Hornsby, and James Brown.

Since 2000, McBride has fronted his own acoustic, jazz, fusion and funk ensemble, "The Christian McBride Band." As writer Alan Leeds has stated, it is "one of the most intoxicating, least predictable bands on the scene today." McBride also plays on occasion under the moniker "A Christian McBride Situation," McBride's "blanket term for a passing arrangement of sympathetic players" according to writer Nate Chinen.

McBride primarily plays upright bass, but is equally adept on the electric bass. During his tenure with Sting (2001-2003), he also played bass for the collaborative project, "The Philadelphia Experiment." The Philadelphia Experiment included keyboardist Uri Caine and hip-hop drummer Ahmir "Questlove" Thompson. Recent projects have included tours and recordings with the Pat Metheny Trio, the Bruce Hornsby Trio, and Queen Latifah. His Live at Tonic three-CD set was released in 2006.

In 2006, McBride was named to the position of "Creative Chair for Jazz" with the Los Angeles Philharmonic, taking over from Dianne Reeves. He was initially signed to a two-year contract that was subsequently renewed for an additional two years. He was eventually suceeded by Herbie Hancock in 2010.[2]

McBride performed with Sonny Rollins and Roy Haynes at Carnegie Hall on September 18, 2007, in commemoration of Rollins' 50th anniversary of his first performance there.[3]

He is also co-director of the new National Jazz Museum in Harlem.

McBride is currently touring in a "straight-ahead" quintet called "Christian McBride & Inside Straight" featuring alto/soprano saxophonist Steve Wilson, vibraphonist Warren Wolf, pianist Peter Martin (jazz pianist) and drummer Carl Allen, as well as performing as "A Christian McBride Situation" with saxophonist Ron Blake, guitarist David Gilmore & turntablist DJ Logic.

In 2008, McBride joined John McLaughlin, Chick Corea, Kenny Garrett and Vinnie Colaiuta in a jazz fusion supergroup called the Five Peace Band. They released a CD in February 2009 and completed their world tour in May of that year, as Brian Blade took over for Vinnie Colaiuta as drummer in Asia and some US concerts.


review


Since arriving in New York City in the late 1980s, where he briefly studied at Juilliard, Christian McBride has been one of jazz's most in-demand bassists. In addition, he has become a valuable composer, arranger and jazz educator with a wide-open interest in many musical styles.

The initial CD by McBride's Inside Straight quartet features saxophonist Steve Wilson, pianist Eric Reed and drummer Carl Allen (with whom McBride worked in Benny Green's trio), expanding to a quintet on some tracks with up-and-coming vibraphonist Warren Wolf, Jr. Seven of the ten tracks are originals by the leader, several of which are tributes. "Uncle James" is a soulful, soft jazz waltz saluting the late James Williams, a beloved jazz pianist and educator who died in 2004 after a brief battle with cancer. Wilson's upbeat soprano sax floats over the whispering rhythm section, with Wolf adding a potent, understated solo.

Cedar Walton is honored by "The Shade of the Cedar Tree," a delicious hard bop number that would have fit the repertoire of Art Blakey's Jazz Messengers, with a potent lead by Wilson on alto sax, Reed and McBride. The leader pays tribute to Freddie Hubbard, with whom he worked, on a percolating treatment of the late trumpeter's blues, "Theme For Kareem," offering some of his most intricate playing of the session.

Although not stated, McBride's "Used 'Ta Could" could easily be considered a tribute to his idol, the late Ray Brown, a subdued but funky number with a touch of gospel, with his arco playing reminiscent of the late Paul Chambers. With a CD full of obviously winning tracks, bet the entire pot on Inside Straight.


____________________________________________________________________________________________________________________

Christian McBride, still just 37, has achieved so much in the twenty years since, as a seventeen year old, he was recruited into Freddie Hubbard's band that he can create just about any jazz project that he likes. High profile stints as accompanist with Sting and James Brown have run alongside leading his own jazz/funk fusion outfit, "The Christian McBride Band." More recently he has joined John McLaughlin, Chick Corea, Kenny Garrett and Brian Blade in the high profile fusion group "Five Peace Band".

Yet his straight ahead jazz roots are re-emerging with a confidence that draws strength from these more popular orientated successes. His recording and touring with Pat Metheny and Antonio Sanchez in the trio that produced "Day Trip" and "Tokyo Day Trip" has already hinted at this direction, as indeed did the earlier invitation to appear on acoustic bass in 2001 in John Scofield's 'dream band' on "Works For Me".

The band on "Kind Of Brown" - Christian McBride (acoustic bass), Steve Wilson (saxophone), Eric Scott Reed (piano), Warren Wolf, Jr. (vibraphone), Carl Allen (drums) – was assembled in 2007 at the request of Village Vanguard Club owner Lorraine Gordon who told Christian McBride: "You're always welcome to come down here and play the Vanguard, but I don't want you to bring that rock 'n' roll band you play with!"

The opportunity to put together a straight ahead jazz band led to invitations to Steve Wilson, leader on a number of well thought of albums on Criss Cross; Eric Reed, best known for his work with Wynton Marsalis; Carl Allen, who had worked with Freddie Hubbard and Woody Shaw and who had partnered Christian McBride on the Donald Harrison album "For Art's Sake" back in 1990; and newcomer Warren Wolf, who Christian McBride had tutored back in 2000 at the annual Jazz Aspen Snowmass Band Academy. The sets at the Vanguard were such a success that plans were made for this album and a 2009 tour. And the search for a name that eventually settled on "Inside Straight", an apt description of the straight ahead, very much 'inside' approach of the band.

Produced by Christian McBride with ten of his original compositions, "Kind Of Brown" is a masterwork of upbeat, straight ahead jazz with a strong bebop feel and swing. For once, the much syndicated All Music review misses the point of the title of the album in claiming that the reference is not to the music of Ray Brown but to that of the Bobby Hutcherson / Harold Land group of the '70s. An easy enough assumption to make with the emphasis on "Kind Of Brown" on saxophone and vibraphone.

But bass player Ray Brown, who died in 2002, was a decided influence on the young Christian McBride; they recorded two albums together, "Super Bass" in 1996 and "Super Bass 2" in 2000. More importantly, perhaps, Ray Brown made a series of seminal albums for OJC with vibes payer Milt Jackson ("Montreux '77", "Bag's Bag", "All Too Soon" "A London Bridge", "Memories of Thelonious Sphere Monk"……). And Milt Jackson was Bobby Hutcherson's role model. Not surprising, then, that the Milt Jackson/ Ray Brown connection might have been missed.

So, "Kind Of Brown" is clearly a tribute to Ray Brown and a very significant musical legacy that is in danger of being forgotten.

Ray Brown was there at the very start of bebop, playing and recording with Charlie Parker, Dizzy Gillespie. He married Ella Fitzgerald and ran an orchestra that recorded with her. He worked with Oscar Peterson. In the 90's he was influential in highlighting new jazz talent through his "Some of My Best Friends Are….." series of albums, inviting Geoffrey Keezer, Joshua Redman, Joe Lovano, Terence Blanchard, Roy Hargrove and Nicolas Payton, among many others, to play on his albums.

References to the jazz tradition aside, "Kind Of Brown" is simply one of the best jazz albums of recent years. Warren Wolf's vibe playing is a real discovery. Christian McBride, the most gifted bass player of his generation, is the creative bedrock on which this fine group of musicians achieves so much.

For sure, Ray Brown would have approved.



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(JazzPlanet)Christian McBride e Inside Straight - Kind of Brown(Eac S Flac Cue)


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