Stan Getz, Joao Gilberto - Getz - Gilberto
Artist: Stan Getz, Joao Gilberto
Title: Getz - Gilberto
Genre Jazz
Styles Bossa Nova, Brasilian/Jazz
Original Recording Year: 1963
remastered 1994 MFSL Gold Edition
Label: Mobile Fidelity Sound Lab/Verve
Number of Discs: 1
Source: Original CD
Size Torrent: 196 Mb
Artwork Incluse
Extractor: EAC 0.99 prebeta 4
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue (Noncompliant)
Accurately ripped (confidence 10)
Track Listing
1. The Girl From Ipanema
2. Doralice
3. Para Machuchar Meu Coracao
4. Desafinado (Off Key)
5. Corcovado (Quiet Nights Of Quiet Stars)
6. So Danco Samba
7. O Grande Amor
8. Vivo Sonhando (Dreamer)
Personnel:
Stan Getz – tenor sax
Joao Gilberto – guitar, vocal
Antonio Carlos Jobim – piano
Tommy Williams – bass
Milton Banana – drums
Astrud Gilberto – vocal
Preview songs
http://www.rhapsody.com/stan-getz/getz-gilberto--1963-verve-records-unavailable
http://www.goear.com/listenwin.php?v=0212bee
http://www.goear.com/listen.php?v=b2ace72
video
http://www.youtube.com/watch?v=xDavcs13HNs
review
One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators — guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim — to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history — "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre — "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.