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Jethro Tull - Aqualung
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Artist...............: Jethro Tull
Album................: Aqualung
Genre................: Rock
Source...............: CD
Year.................: 1971
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 53 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........:
Ripped by............: tequila-bob on 11/3/2009
Posted by............: tequila-bob on 1/23/2010
News Server..........:
News Group(s)........: www.reputation-resource.com
Included.............: NFO, SFV, M3U, LOG, CUE
Covers...............: Front Back CD
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Tracklisting
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1. (00:06:32) Jethro Tull - Aqualung
2. (00:04:0 Jethro Tull - Cross-Eyed Mary
3. (00:01:23) Jethro Tull - Cheap Day Return
4. (00:03:52) Jethro Tull - Mother Goose
5. (00:01:55) Jethro Tull - Wond'ring Aloud
6. (00:03:1 Jethro Tull - Up To Me
7. (00:07:10) Jethro Tull - My God
8. (00:03:1 Jethro Tull - Hymn 43
9. (00:01:13) Jethro Tull - Slipstream
10. (00:04:25) Jethro Tull - Locomotive Breath
11. (00:05:42) Jethro Tull - Wind-Up
Playing Time.........: 00:42:57
Total Size...........: 232.66 MB
NFO generated on.....: 1/23/2010 2:26:09 PM
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Category Rock, Pop, Rock/Pop, Progressive, Art Rock
Label Chrysalis
Orig Year 1971
All Time Sales Rank 154
CD Universe Part number 1135969
Catalog number 95401
Discs 1
Release Date Feb 09, 1999
Studio/Live Studio
Mono/Stereo Stereo
Producer Ian Anderson; Terry Ellis; Bernie Andrews; John Walters
Recording Time 75 minutes
Personnel Ian Anderson - vocals, acoustic guitar, flute
Martin "Lancelot" Barre - electric guitar, descant recorder
John Evan - piano, organ, Mellotron
Clive Bunker - drums, percussion
Jeffrey Hammond-Hammond - alto recorder, bass instrument, background vocals
The leap from 1970's BENEFIT to the following year's AQUALUNG is one of the most astonishing ... Full Descriptionprogressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual lyrical constructs. While the leap to full-blown prog-rock wouldn't be taken until a year later on THICK AS A BRICK, the degree to which Tull upped the ante here is remarkable. The lyrical concept--the hypocrisy of Christianity in England--is stronger than on most other '70s conceptual efforts, but it is ultimately the music that makes the album.
Tull's winning way with a riff was never so arresting as on the chugging "Locomotive Breath," or the character studies "Cross Eyed Mary" and "Aqualung," which portray believably seedy participants in Ian Anderson's story. The fable imagery of "Mother Goose" and the vitriolic anti-authoritarian sentiments of "Wind Up" both serve notice of Anderson's willful iconoclasm and his disillusionment with the spiritual traditions to which he was born. Varied but cohesive, AQUALUNG is widely regarded as Tull's finest hour.
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