Konrad Ragossnig - Lute Music of the Renaissance

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  • Konrad Ragossnig - Lute Music of the Renaissance CD2.flac (295.5 MB)
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  • Konrad Ragossnig - Lute Music of the Renaissance CD3.flac (282.6 MB)
  • Konrad Ragossnig - Lute Music of the Renaissance CD4.flac (263.1 MB)
  • Konrad Ragossnig Lute Music of the Renaissance Booket.pdf (6.0 MB)
  • folder.jpg (54.8 KB)
  • album.nfo (6.4 KB)
  • Konrad Ragossnig - Lute Music of the Renaissance CD4.cue (3.9 KB)
  • Konrad Ragossnig - Lute Music of the Renaissance CD3.cue (3.4 KB)
  • Konrad Ragossnig - Lute Music of the Renaissance CD2.cue (3.3 KB)
  • Konrad Ragossnig - Lute Music of the Renaissance CD1.cue (3.1 KB)
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Description



Konrad Ragossnig - Lute Music of the Renaissance
FLAC image + CUE sheet + PDF booklet
Label: Archiv Produktion - 447 727-2 A|X4
Year: 1973-1975

Please stop complaining about all tracks in one file. Short version, load the cue file into your player (will mount the flac img just as if it was a cd) instead of the flac file.



For a detailed guide on FLAC imaging and CUE sheeting go here:

http://forum.suprbay.org/showthread.php?tid=75295

Customer review from amazon.com:

Quote:


This four-CD set is a reissue of six LPs, recorded between 1973 and 1975, each devoted to the lute music of one or two major European countries: England, Italy, Spain, Poland & Hungary, Germany & the Netherlands, and France. It thus probably covers a wider spectrum of Renaissance lute music than any other single album.

The notes offer extensive information about the music, the instrument used and the recording dates; but, strangely, none about the artist - although there is a photograph.

Konrad Ragossnig is perhaps best known outside his native Austria by his fine album of Latin American guitar duets with Walter Feybli, which has been reissued multiple times on various budget labels.

Like his contemporary Julian Bream, Herr Ragossnig was an early convert to the lute, and in fact his playing is so much like Bream's as to be indistinguishable to the casual listener; in particular, I find Herr Ragossnig's firm sense of rhythm a refreshing change from the meanderings of some I could name. The recordings are likewise excellent and comparable to Bream's of the same period.

It must be said that playing the lute this way - that is, like a classical guitar, with fingernails, and use of tonal variation - is (we are told) inauthentic, and thus out of fashion these days. Those who feel this way may be better served by more HIP recordings from first-rate modern lutenists such as Jakob Lindberg, Christopher Wilson and Paul O'Dette.

To those who neither know nor care about such considerations, however -- or to those who (like myself) know but do not care, and feel that Bream's lute recordings have been too few -- this album can be recommended without reservation.



For more info about the artist vist http://www.konradragossnig.com/

Tracklist:

CD 1
I. England – Angleterre
John Dowland (1562-1626):

1. The King of Denmark’s Gaillard
2. Lachrimae Antiquae Pavan
3. Fantasia
4. My Lady Hundson’s Puffe
5. Melhancoly gaillard
6. Mrs. Winter’s Jump
7. Semper Dowland semper dolens
8. The Earl of Essex Gaillard
9. Foelorne Hope fancy

Daniel Batchelar (ca. 1610):
10. Mounsiers Almaine

Baruch Bulman (ca. 1600):
11. Pavan

Francis Cutting (ca. 1600):
12. Almain
13. Greensleeves
14. Walsingham
15. The Squirrel’s Toy

Anon.:
16. Sir John Smith his Almaine

Thomas Morley (1557-1602):
17. Pavan

Robert Johnson (ca. 1580-1634):
18. Alman

Anthony Holborne (gest. 1602):
19. Gaillard
II. Italien – Italy – Italie
Vincenzo Capirola (1474-?):
20. Ricercar I
21. Ricercar XIII

Francesco Spinacino (ca. 1470-ca. 1507):
22. Ricercare

Vincenzo Capirola:
23. Ricercar II
24. Ricercare X

Francesco da Milano (1497-ca. 1543):
25. Fantasia

CD 2
Simone Molinaro (ca. 1565-ca. 1613):
1. Fantasia X
2. Fantasia IX
3. Fantasia I
4. Saltarello – Ballo detto il Conte Orlando – Saltarello

Giulio Cesare Barbetta (1540-ca. 1603):
5. Moresca detta la Canarie

Giovanni Antonio Terzi (1500):
6. Ballo tedesco e francese – Tre parti di gagliarde

Cesare Negri (1535-?):
7. Lo spagnoletto – Il bianco fiore

Santino Garsi da Parma (1500)
8. Aria del Gran Duca – La Cesarina – la Mutia – La ne mente per la gola – Gagliarda Manfredina – ballo del Serenissimo Duca di Parma – Corenta
III. Spanien – Spain – L’Espagne
Luis Mil?n (ca.1500 – 1561):
9. Pavana del primero y segundo rono
10. Pavana II del tercero y quarto tono
11. Pavana III del quinto y sexto tono
12. Pavana IV del septimo y octavo tono
13. Pavana V del octavo tono
14. Pavana VI del octavo tono
15. Fantasia X del primero y segundo tono
16. Fantasia XVI del quinto y sexto tono
17. Fantasia XII del primero y segundo tono
18. Fantasia XI del primero y segundo tono

Alonso Mudarra (ca. 1510-1580):
19. Pavana de Alexandre
20. Gallarda
21. Romanesca: O gu?rdame las vacas
22. (Deferencias sobre) Conde claros
23. Fantas?a que contrahaze la harpa en la manera de Ludovico

Luis de Narv?ez (1500):
24. (Deferencias sobre) Gu?rdame las vacas
25. Mille regres. la canci?n del Emperador
26. Fantas?a
27. Baxa de contrapunto

CD 3
IV. Polen/Ungarn – Poland/Hungary – La Pologne/La Hongrie
Diomedes Cato (ca. 1570-ca. 1602):
1. Praeludium
2. Galliarda I
3. Galliarda II
4. Favorito

Anonym:
5. Balletto Polacho

Jakub Polak (ca. 1605)
6. Praeludium

Albert Dlugoraj (ca. 1557-1619)
7. Chorea polonica
8. fantasia
9. Finale
10. Villanella
11. Carola Polonesa
12. Villanella
13. Finale
14. Kowaly
15. Finale

Valentin Bakfark (1507-1576):
16. Fantasie
17. Fantasie
18. Fantasie
19. Fantasie

Hans Judenk?nig (ca. 1445-1526):
20. Hoff dantz
21. Ellend bringt peyn

hans Newsidler (1508-1563)
22. Der Junden tantz
23. Preambel
24. Welscher tantz Wascha mesa

Landgraf Moritz von Hessen (1572-1632):
25. Pavane

Anon.:
26. Der gestraifft Danntz – Der Gessenhauer darauff

Matth?us Waissel (1540-1602):
27. Fantasia
28. Deudtscher tantz

Sebastian Ochsenkhun (1521-1574):
29. Innsbruck, ich mu? dich lassen

CD 4
V. Niederlande – Netherlands – Les Pys-Bas
Emanuel Adriaessen (1550-1604):
1. Fantasia
2. Courante
3. Branle simple de Poictou
4. Branle Englese

Gregorio Howet (ca. 1600?):
5. Fantasie

Jan Pieterszoon Sweelinck (1562-1621):
6. Psalm 5
7. Psalm 23

Joachim van den Hove (1567-1620):
8. Galliarde

Nicolas Vallet (ca. 1583-1642):
9. Prelude
10. Galliarde
11. Slaep, soete, slaep
VI. Frankreich – France – La France
Pierre Attaignant (ca. 1494-1552):
12. Tant que vivray (Chanson)
13. Basse dance “Sansserre”
14. Branle gay “C’est mon amy”
15. Basse dance
16. Destre amoureux (Chanson)
17. Haulberroys

Adrien Le Roy (ca. 1520-1598):
18. Passameze

Robert Ballard (ca. 1575-1650):
19. Entr?e de Luth I-II-III
20. Courante
21. Branles de village

Jean-Baptiste Besard (ca. 1567-ca. 1625):
22. Branle
23. gagliarda
24. Branle gay
25. Gagliarda vulgo dolorata
26. Allemande
27. Air de cour “J’ai trouv? sur l’herbe assise”
28. Volte
29. Branle – Branle gay
30. Guillemette
31. Ballet
32. Pass’e mezo
33. Chorea rustica



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Konrad Ragossnig - Lute Music of the Renaissance


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