_____ __ _________ __________ ________ __________ _______ ______ ___
__ / / / __ ____/ ___ ____/ ___ __/ ___ ____/ ___ | ___ |/ /
_ / / / _ / __ __ __/ __ / __ __/ __ /| | __ /|_/ /
/ /_/ / / /_/ / _ /___ _ / _ /___ _ ___ | _ / / /
\____/ \____/ /_____/ /_/ /_____/ /_/ |_| /_/ /_/
________ ________ _______ _____ __ ________ ______ __ __
___ __ \ ___ __ \ __ __ \ __ / / / ___ __ \ ___ / _ \/ /
__ /_/ / __ /_/ / _ / / / _ / / / __ / / / __ / __ /
_ ____/ _ _, _/ / /_/ / / /_/ / _ /_/ / _ /___ _ /
/_/ /_/ |_| \____/ \____/ /_____/ /_____/ /_/
________ ________ __________ ________ __________ _____ __ ________ ________
___ __ \ ___ __ \ ___ ____/ __ ___/ ___ ____/ ___ | / / ___ __/ __ ___/
__ /_/ / __ /_/ / __ __/ _____ \ __ __/ __ |/ / __ / _____ \
_ ____/ _ _, _/ _ /___ ____/ / _ /___ _ /| / _ / ____/ /
/_/ /_/ |_| /_____/ /____/ /_____/ /_/ |_/ /_/ /____/
Mokafix Audio Pack WiN VST
Mokafix Audio Baboon VST v1.0.RC1
Baboon is based on a rare vintage fuzz pedal. Different things make this effect
pretty special.
The effect features two channels.
The Treble Booster channel actually bypasses the fuzz stages and tone stack, and
features its own gain knob.
The Fuzz channel engages the full circuitry and delivers a heavy fuzz tone,
thanks to its two transistor based fuzz stages.
Fuzz channel tone stack has two modes. In "A mode", the Tone knob acts as a
regular hi cut filter. In "B mode" the Tone stack scoops the mid frequencies and
the Tone Knob let you adjust the volume of the frequencies above 7kHz in the
mix. Mode B provides that bold scooped tone to fuel any guitar track.
The fact the pedal features a gain knob for each channel let you switch between
each channel without having to adjut the input gain.
Features list:
- Sustain, Tone knob, Tone mode switch and Volume parameters for the Fuzz
channel
- Inpt gain adjustement knob for the Treble Booster channel
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Blue Reeds VSTi v1.055
Mokafix Audio Blue Reeds VSTi v1.0551
Electrostatic Pickup & Vibrating Reeds
Get back to a time when a new sound could only come from the design of a new
hardware instrument. A time when musicians would spend time getting used to any
new keyboard, adapt to its character.
The "Wurli"
Wurlitzer® electromechanical pianos were produced from 1954 to 1982.
Modelled after a Wurlitzer® electric piano mechanism, Blue Reeds will provide
that specific edgy sound that made the Wurlitzer® piano stand apart from its
main competitor, the Rhodes® electric piano.
Instead of tuning forks it used reeds to generate sound, and featued one long
electrostatic pickup instead of individual electromagnetic ones.
Add to this the fact each reed had a soldering pyramid at its tip used to adjust
tuning (yes, you had to use a soldering iron to tune it), and you had an
instrument that sounded and reacted very differently from anything else.
That funny reed tip and the long electrostatic pickup also produced a very
specific buzzing sound evolving through the decay, and especially present on
lower register.
Blue Reeds brings back the full magic of this sound into the virtual world,
thanks to its specific reactive synthesis engine.
Physical Modeling & More...
Blue Reeds is the result of many years of sound analysis and research on
physical modeling.
The sounds it delivers can be A/B compared to direct input sounds of the real
instrument. It doesn't use modal synthesis or any output oriented approach.
Reactive Synthesis is process oriented, which means every electro-mechanical
step has been modelled. Reed's motion is generated and passes through the pickup
which transform it into something completely different and way more complex.
The result is a unique dynamic response, tonal width and realism this would
never be possible with any other kind of synthesis.
Hit any key at different velocities, let the decay run to appreciate the most
realistic timbre modualtion possible on a virtual reed electric piano.
Features list:
- 4 core pianos presets
- Velocity curve control
- Seamless dynamic response
- Endless sustain decay (no samples = no loops)
- Advanced parameters adjustments
- 3 FX slots with 7 stomp boxes each
- Amp and cab simulation with spring reverb
- Midi automation on most parameters
- Available as PC VST for Windows
Mokafix Audio Brass Buster VST v1.2
Bass guitar distortion requires specific features, and this VST based on a
famous vintage transistor fuzz pedal will give you a few controls to get a good
range of fuzz tones for your bass guitar or anything you want to feed it with.
This effect has a preamp that is split into two paths. One goes to the output
stage to be mixed to the wet signal through the "bass volume" knob.
The second signal is sent through a complex distortion stage that will drive,
rectify and further drive the signal.
The "Sensitivity" knob let you change the gain of the signal sent into that
stage and access a variety of tones, from ring mod distortion to weird extreme
fuzz.
The EQ section let you change the filter color ("Brass" switch) and add some
unfiltered distortion to the filtered signal ("Harmonic" switch).
Finally the "Brass Volume" let you set the amount of distorted signal.
This very specific way to let you mix the distorted signal to the preamp dry
signal makes this pedal very suitable for bass guitar.
Although this effect was initially designed for bass, it's unique tone made it
quite popular among guitar player or even keyboardist, thanks to the possibility
to mix dry and wet signals.
Electronic musicians will also be surprised by the twisted sound this vintage
effect can provide if fed with obssessive basslines or lush pads.
Features list:
- Original auto-biasing engine
- 3 knobs and 2 switches
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Companero Fuzz VST v1.2
Transistor based Fuzz pedals like the Fuzzface® hard clip and hard bias the
input signal.
But why biasing hard in one direction when you could do it in both direction one
after the other using two transistors? This is probably the question a japanese
engineer asked himself when designing that rare fuzz Companero VST was inspired
by.
This pedal will provide a very distorted sound and react instantly to your
playing. A gain parameter was added to get the most out of the double transistor
structure.
Low gain will let you benefit from the first auto-biasing without triggering the
second transistor treshold.
Hi Gain will make it fizz all the way.
Features list:
- Original auto-biasing engine
- Gain, Tone and volume knobs
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Cream Tube VST v1.3
Cream Tube is based on one of the most famous overdrive circuits ever.
This circuit was used in different versions, but the tone remained pretty much
the same through the variations.
The reputation of this effect is due to the general design and gain stage
specificity. The general design relies on the succession of three amplification
stages, each providing some clipping.
The middle stage is the main Gain stage. That stage was designed to give a
smooth overdrive tone close to tube sound, using only solistate components. This
stage clips the signal but let a specifically filtered part of it pass below the
clipping treshold. The result is a "clean distortion" sound that gives this
effect a unique place in the distortion history and makes it a great addition
before any amp.
Features list:
- Drive, Tone and Volume parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio D-Plus & D-380 VST v1.0.RC1
D-plus is based on a famous distortion used in huindreds of recordings. Its
classification can be subject to controversy since it is capable of smooth
overdive sounds and can be pushed to more extreme clipped distortion.
The secret of this effect lies in the distortion stage design, which makes the
Gain knob affect both tone and distortion amount. Thanks to this design, the
Gain knob (Distortion) let you access a wide variety of tones and makes it one
of the simplest and yet more versatile distortion effect.
The D-380 is based on another effect using the same design as a base. the D380
tone is very different hough, with much less low end and more pronouced mid
range. This makes it suitable for leads and fast playing. It both provides a
long sustain and enhances attacks precision.
Features list:
- Drive and Volume parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio EZ-Driver VST v1.2
Distortion pedals often kick overtones out of clipping limits. Playing chords in
a distortion can become frustrating.
Based on a famous analogue circuit carved by guitar players, EZ-driver delivers
a warm distortion while letting higher frequency pass through.
EZ-Driver is based on a famous opamp distortion that is reknown for its warm
tone and the way it respects your guitar natural timbre.
The tonal quality of this effect makes it suitable for blues rock or jazz. The
Drive knob affects both the tone and distortion by changing the first stage
opamp feedback path.
From slight crunch to more pronounced distortion this distortion respect playing
dynamics and gives you access to a variety of warm tones to spice up your signal
chain without sacrifying your instrument specific qualities.
Features list:
- Drive, Tone and Volume parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Kung Fuzz VST v1.2
Fuzz effect is probably one of the most simple, raw effects possible.
While an overdrive aims at pushing the next element in the chain to saturation
(usually an amp), a fuzz will amplify and saturate internally. The output signal
has a regular level, but sounds highly distorted.
So making something new in the fuzz domain is not obvious and it is not everyday
a plugin can claim clipping your sound in a new way.
Most software Fuzz will soft clip the signal, and slightly shift it to give it
some bias.
Features list:
- Original auto-biasing engine
- Fuzz, Bias, Contour and volume knobs
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Lamp Driver VST v1.0.RC1
Lamp Driver is based on an analogue pedal featuring a tube to provide a warm
smooth saturation.
It actually features two gain stages, one opamp based and one tube based.
Main gain is actually provided by the opamp stage; the signal is then hi passed
before passing through a tube stage.
The result is a smooth and responsive tone enhancing your playing dynamics.
Two EQ variations are provided to respect teh orginal versions, and give you
access to more tone options.
Features list:
- Drive, Tone and Volume parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Meat Muffin VST 1.0
Beef up your amp with some raw metal tones.
This effect is based on an analogue metal oriented pedal. Following the
tradition of metal pedals, it has a rather long path, several stages and will
distort, band pass, boost hi and low ends, to give your guitar a wide heavy
tone. The sound goes through a complex process that pre-distorts the sound
before the gain stage and boosts hi and lo ends before the EQ.
The 3 band EQ let you sculpt the sound to fit your needs.
The top boost stage can be activated with the boost switch, and you can set the
amount of hi end (around 4Khz) into the final mix.
Features list :
- Distortion, 3 band EQ, volume and top boost parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Muffin Rider VST v1.2
Muffin Rider is based on a famous transistor fuzz pedal featuring two gain
stages and a tone knob.
After 40 years of success, this pedal is still considered as a must when it
comes to bold, loud sustain.
The unique architecture of this distortion let it autobias enough to get nice
warm sustaining notes, and boosts and clips the high and low ends through the
two gain stages in a way that provides that characteristic creamy tone.
From pink psychedlic to smashing grunge tones, this effect is a must in any
guitar player's arsenal.
Features list:
- Original auto-biasing engine
- Sustain, Tone and Volume knobs
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio RectiFuzz VST v1.2
A few effects managed to create a consensus among guitar players in terms of
quality and usability...
... but very few ever created as much division as this famous fuzzy tone
blending unit Rectifuzz is based on. Some love it, some hate it, but you can't
get indifferent to the insane distortion provided by this big stomp effect.
Rectifuzz won't put an end to this debate but rather heat it up further more.
Based on the circuitry of that famous pedal with a blend knob, Rectifuzz will
provide you with a heavy, wide tone to fuel your metal amp or add some ringy
grit to your funk riffs or lead solos.
Features list :
- On/Off switch
- mono / stereo
- Blend knob to mix dry preamp and distorted signals
- Midi learn on most parameters
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio Sentor VST v1.0.RC1
Sentor is modelled after a vintage overdrive pedal featuring a warm distortion
chain and an advanced EQ. This EQ is a key element in this effect, as it let you
sculpt the sound and obtain a wide variety of tones.
Each EQ knob has an influence over a full set of parameters regarding filters
frequencies and relative volumes. What makes is so special is that each knob may
influence the same parameters differently.
The "mid" EQ knob can produce a scooped sound when turned fully down, giving you
access to that classic heavy sound.
Versatility is the key word here, and you will find yourself tweaking it and
make it suitable for very different genres, from blues to hard rock or jazz.
Features list:
- Gain, Bass, Mid Treble and Volume parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
Mokafix Audio The Bat VST v1.0.RC1
The Bat is an faithful emulation of one of the most famous guitar distortion
pedals.
The Bat will provide you with a wide range of distorted sounds from Blues to
Punk rock.
Thanks to a unique gain stage design, the Bat gain knob will let you add sustain
by enhancing a specific frequency range and push it into clipping. A diode
clipper will then softclip the result once more and extend the dynamic range.
The tone knob acts like a classic low pass filter, and let you change the low
pass frequency.
Features list:
- Distortion, Tone and Volume parameters
- mono / stereo modes
- Midi learn on every parameter
- Oversampling up to "x4"
- Available as PC VST for Windows
INSTALLATION:
• Uninstall previous versions.
• Next open the .rar file by double clicking it. If you can't open it you need to get an archiver which supports rar files such as Winrar and extract.
• Install the setup...
• Use the keygen to register.*
* NEMESiS keygen might be flag by your AV
• That's it! Done.
3Nj0Y!!!
