The Jam - Setting Sons [Super Deluxe Edition] (2014) [email protected] Beolab1700
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The Jam - Setting Sons (Super Deluxe)
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Artist...............: The Jam
Album................: Setting Sons (Super Deluxe)
Genre................: new wave, punk, rock
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: LAME 3.99
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........:
Posted by............: Beolab1700 on 19/06/2015
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Tracklisting
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CD1
01. Girl on the Phone (2:56)
02. Thick as Thieves (3:38)
03. Private Hell (3:50)
04. Little Boy Soldiers (3:28)
05. Wasteland (2:53)
06. Burning Sky (3:33)
07. Smithers-Jones (3:00)
08. Saturday’s Kids (2:53)
09. The Eton Rifles (3:59)
10. Heatwave (2:23)
11. Strange Town (3:47)
12. The Butterfly Collector (3:08)
13. When You’re Young (3:12)
14. Smithers-Jones (Single Version) (3:00)
15. The Eton Rifles (Single Edit) (3:28)
16. See-Saw (2:32)
17. Going Underground (2:55)
18. The Dreams of Children (3:06)
CD2
01. Strange Town (Alternative Take) (4:11)
02. When You’re Young (Alternative Take) (3:14)
03. The Eton Rifles (Demo Version) (3:31)
04. See-Saw (Demo Version) (2:32)
05. Girl on the Phone (Demo Version) (3:01)
06. Thick as Thieves (Demo Version) (4:10)
07. Private Hell (Demo Version) (3:45)
08. Little Boy Soldiers (Demo Version) (2:51)
09. Wasteland (Demo Version) (2:39)
10. Burning Sky (Band Demo Version) (3:22)
11. Simon (Demo Version) (3:26)
12. Strange Town (Demo Version) (3:20)
13. The Butterfly Collector (Demo Version) (3:04)
14. Burning Sky (Demo Version) (3:38)
15. When You’re Young (Demo Version) (2:47)
16. Best of Both Worlds (Remixed Demo Version) (2:02)
17. Along the Grove (Demo Version) (2:15)
18. The Eton Rifles (Band Demo Version) (3:30)
19. Thick as Thieves (Peel Session / 1979) (3:48)
20. The Eton Rifles (Peel Session / 1979) (3:41)
21. Saturday’s Kids (Peel Session / 1979) (2:51)
22. When You’re Young (Peel Session / 1979) (3:15)
CD3
01. Introduction / Girl on the Phone (Live at the Brighton Centre) (3:20)
02. To Be Someone (Didn’t We Have a Nice Time) (Live at the Brighton Centre) (2:15)
03. It’s Too Bad (Live at the Brighton Centre) (3:16)
04. Burning Sky (Live at the Brighton Centre) (3:27)
05. Away from the Numbers (Live at the Brighton Centre) (4:03)
06. Smithers-Jones (Live at the Brighton Centre) (3:22)
07. Little Boy Soldiers (Live at the Brighton Centre) (3:23)
08. Strange Town (Live at the Brighton Centre) (4:15)
09. Mr. Clean (Live at the Brighton Centre) (3:47)
10. The Butterfly Collector / Private Hell (Live at the Brighton Centre) (7:12)
11. Thick as Thieves (Live at the Brighton Centre) (4:17)
12. When You’re Young (Live at the Brighton Centre) (3:37)
13. Eton Rifles (Live at the Brighton Centre) (4:13)
14. Down in the Tube Station at Midnight (Live at the Brighton Centre) (4:39)
15. Saturday’s Kids (Live at the Brighton Centre) (3:10)
16. All Mod Cons (Live at the Brighton Centre) (1:20)
17. David Watts (Live at the Brighton Centre) (4:30)
18. The Modern World (Live at the Brighton Centre) (2:16)
19. Heat Wave (Live at the Brighton Centre) (1:33)
20. ‘A’ Bomb in Wardour Street (Live at the Brighton Centre) (3:35)
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The 1979 album is remastered from the original analogue tapes and the first disc adds single edits & B-sides. Amongst the 22-tracks on CD 2 are 14 previously unreleased demos and alternates, along with 4 tracks from the 1979 John Peel session. CD 3 brings Live in Brighton 1979, a live performance that has never been previously issued.
The Jam‘s Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they’ve grown apart. Only about half of the songs ended up following the concept due to a rushed recording schedule, but where they do, Paul Weller vividly depicts British life, male relationships, and coming to terms with entry into adulthood. Weller’s observations of society are more pointed and pessimistic than ever, but at the same time, he’s employed stronger melodies with a slicker production and comparatively fuller arrangements, even using heavy orchestration for a reworked version of Bruce Foxton’s “Smithers-Jones.”
Setting Sons often reaches brilliance and stands among The Jam’s best albums, but the inclusion of a number of throwaways and knockoffs (especially the out-of-place cover of “Heat Wave” which closes the album) mars an otherwise perfect album.
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